When a gallery says that they do not display the sort of art work you are making, realize that there must be some galleries that do display your style. Perhaps determination is the key, as with most things in life. A gallery and an artist can only do wonderful things if they work together.” I just so happen to be a writer (with some artist talent as well) looking for an artist to work with. Steiner, Bill. How can I advertise my skills better online? I’m so glad I ran across this post. Their review process is not structured, and the decision can often be made on the spot. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. This, like any marketing effort, is a numbers game. I think I’ll contact all the city hall people in our neighboring cities. With that level of writing, it is hardly likely that you “are moved on” to anything involving TV or movies. As with many things in the art world, it’s not straightforward. You have filled a need for all the artists with your guidelines and information for us. Luckily I’ve never had any problem working with an artist. A word of warning as well, Mike. Your email address will not be published. If you aren’t excited about your subject matter, no one else is likely to be either. If you found this article helpful, please take a moment to share it with your friends on Facebook! Juried show. What is the protocol to following up with a gallery after submitting your portfolio as per their stated guidelines? Assuming you’re not in that situation, then you’re going to have to make up for it at first with enthusiasm and really great story concepts to get over the hump. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. You can send out a ton of introduction messages before you get a positive response and, even when you do, the initial contact might not lead to a successful collaboration. Early in your career, you are likely to submit to galleries that are not long-established institutions, but rather are relatively new and are thus willing to take greater risks in bringing on less-established artists. 4. By far, the review process you are most likely to encounter in the early phases of your career is far less formal than either of the previous methods. How to get into, and succeed, with a gallery, Filed under: Business Skills for Artists, Guest Posts & Interviews. All such good advice! Great article! Receive our Weekly Newsletter. Solid information Jason!!!
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